Anyone who has ever seen me perform knows I love Peeps. In my “Live Nude Girls” special, I pledge my eternal love to the delicious bringers of sweetened smiles. That special aired on various networks for many years, and for years, fans brought Peeps to my shows; in their original form, in hilarious “art” pieces, even in the form of home made Peeps jewelry. And then one amazing day, cruel fate gave me everything I could have ever dreamed of Peeps-wise, and I couldn’t accept.
I was playing a college in snow covered, freezing, okay, kinda dreary, Elmira NY. It was one stop on an extended tour, on which I travelled with only carry-on luggage, as the shows were fly- and -perform -same -day. Waiting for luggage after each flight was not an option. Delayed bags could mean a missed show. Luckily, I have my packing needs down to the point where I could vacation in Europe bringing only a manila envelope. I walked into the college dressing room and Oh Joy of Joys!! I could not believe my eyes. The “Just Born” company, makers of Peeps, headquartered nearby, had filled every square inch of the room with boxes of Peeps for me! Wall to wall, floor to ceiling, inch by inch, step by step, quickly I turned..
What to do? I didn’t have enough time to make them into an edible wardrobe to bring along (believe me I thought about it). But I couldn’t walk out on the mother lode of all Peeps. I had promised to visit a retirement/medical rehab facility the next day on my way to the airport, a cheery visit for the residents. Wait. Wouldn’t it be great to show up with a colorful truckload of their favorite childhood candy to brighten up their snow bound, age bound last rest stop on their highway of life in Elmira? Yes. Yes it would.
I hired a truck and got to the home the next day with plenty of time before my flight. I had the orderlies help me bring in carton after carton of Peeps. The residents’ eyes lit up. Restricted diets don’t often leave much room for days like this. These elderly, frail people looked as happy as little kids, watching this glorious Peeps feast unfold. They couldn’t wait for the boxes to be opened. And open them we did, pink and yellow bunnies and chickies flying in a fireworks of color, sugary powder, thick marshmallow. Box after box being passed to eager elderly people with dry constricted throats. Such anticipation! And then, the choking began.
In late September, 2012, the great Broadway star Audra McDonald sent @QuiltingMuriel a direct twitter message, inviting Muriel and a friend to be her guests at her Carnegie Hall concert on October 22nd, a month away. Muriel was over the moon, but we had a decision to make regarding “@QuiltingMuriel”.
“Audra wants to meet me because she wants to meet the woman who tweets those tweets”, Muriel said. “What do we do?”
I replied, “She wants to meet the 94 year old woman who marched for women’s rights, civil rights, whose mother marched for the vote in 1920. The woman who witnessed history. The woman who is a kind mother, who loves dogs, who has intelligence, compassion and wit, and who actually bakes those cookies she’s always talking about. I don’t think she’ll be disappointed.”
Muriel said, “Well, we’ll insist on paying for the tickets.”
Muriel was so excited. She was twenty years old again. She was all a-twitter (no pun intended, but actually, something to think about) for weeks. I thought of how wonderful twitter was, bringing women together with such vastly different lives, yet having so much in common; their compassionate humanity.
Muriel said, “Audra’s profile page says she likes anything with peanut butter in it. I’m famous for my chocolate chip cookies.”
“Yes”, I replied. “I’ve heard them mentioned in France. Right after they mention Junior’s World Famous Cheesecake. Also in Nepal if I’m not mistaken.”
“Don’t be so smart. Well, I would love to try baking Audra something with peanut butter, but to try a brand new recipe for such an important occasion is too worrisome. I want her to like the cookies.”
So Muriel baked about three million chocolate chip cookies. She wanted to make enough for Audra, her daughter and mother, and if Audra had been married at the time, no doubt she would have baked four million. For that entire month before the concert, Muriel was the happiest I’d ever seen her. The day before the Carnegie Hall show, Audra sent me (Muriel’s “Young Friend”) an email with all the info we’d need upon arrival. She forwarded the logistics from her manager.
Manager: “They’ve put Elayne and Muriel in the Carnegie Hall Corporate box, upstairs on the First Tier. They can take the elevator straight there, and Muriel can drive right up to the door of the private box, park her scooter, and then transfer to a chair in the box. After the concert, a staffer will appear to escort Muriel and Elayne backstage. Carnegie Hall has made a note that they are to treat Muriel like a queen.”
I read Muriel the email. She beamed, “A queen! I can’t believe it. How exciting!”
“It’s just a figure of speech.”
Muriel then said, “I have Access-A-Ride coming to pick us up…”
Oh lord no! Access-A-Ride is New York City’s moving chamber of horrors on wheels for the elderly. While the concept is noble, vans you can schedule to transport you around the city if you use a wheelchair or scooter, at only a two dollar and fifty cent charge, it more often than not is a long day in hell. They make lots of stops to pick up lots of seniors, and their routing is planned by a drunken blind monkey with a dart board. I’d heard Muriel tell tales of being taken from her Brooklyn quilting club on what should have been the one hour trip back to Manhattan, via Istanbul with no food, water, or bathroom facilities for five hours. After one of those rides she often looked like she just crawled out of the desert. The drivers were clearly men who hated their mothers, and used this hostage opportunity to introduce the music of Ghostface Killah and Eazy-E, at the highest decibel, to people they refused to let be deaf. It was always a nightmare.
I said, “The show’s at seven thirty. We have to go a mile and a half. Better schedule the pickup for six p.m., just to be sure.”
“I scheduled the pickup for four p.m.”, she said.
“Why?” I asked. “Are we going to the movies first?”
Muriel replied, “Trust me, you never know. Besides, aren’t we having dinner out before the show?”
Me: “You’re crazy.”
Muriel: “We’ll see.”
At nine a.m. the morning of the show, my phone rings. It’s Muriel. “You have to come over and choose my outfit with me! I only have the strength to try everything on once.”
“I see. We’re getting dressed ten hours before the show, and leaving to get there ninety hours early.”
I arrive at Muriel’s. She’s excited. “Look. They just got here from QVC.”
Indeed they have. Three purple velvet Bob Mackie pantsuits. I truly can’t tell them apart.
It’s now three forty-five p.m., and we’re just about to leave Muriel’s apartment to go down to West End Avenue and wait for the Hell Wagon known as Access-A-Ride. We are reflectively resplendent in matching red lipstick, big earrings, Muriel in her purple velvet ensemble (Cher would be proud of Mr. Mackie), I in my gold brocade coat. As we sail toward the elevator, Muriel on her red scooter, bags of cookies and plentiful gifts hanging from the handlebars, the elevator doors open to reveal her son and daughter-in-law, who see us in our evening regalia, jump back (it is still broad daylight) and say,
“Wh… where are you going?!”
Muriel cheerfully shouts behind us as the elevator doors close, “Carnegie Hall!!”
It is now, unbelievably, six p.m. We have been held hostage in this van, having needed to go only a mile and a half, for two solid hours. We have circled around the Columbus Avenue Fountain in front of the Time Warner Center, only three blocks from Carnegie Hall, five times. When we asked to disembark, as we could get ourselves the rest of the way there, the driver said he was not allowed to let anyone off the van until we arrived at our pre-arranged destination point. We almost passed by Carnegie Hall at one point, but the driver didn’t slow down enough for us to make a break for it. By now, after two hours of deafeningly relentless Lil Kim, five ninety year old passengers are unconsciously singing along with the lyrics,
“Take it in the butt..Don’tcha like the way I roll..”
This driver is blasting noise, talking on his phone, picking up people endlessly, dropping them all over the city, and always, always, teasing us NEAR Carnegie Hall, but not TO Carnegie Hall. We are now on Central Park West and 61st street, once again, a mere few blocks from our destination. Time is actually running out, and I am starting to lose it. A man gets in the van, and incredibly, the driver starts to head uptown, in the opposite direction of where Muriel and I need to go. I try to remain calm, and say over the “music”,
“Where are you going now?!”
The driver yells back without looking at me, “I’m taking this guy to the Bronx!”
If we go to the Bronx we’ll get to Carnegie Hall some time in June. Muriel has tears in her eyes. She knows we can’t make it. It’s eye opening to see how the elderly are treated when they are powerless. I’ve been pretty patient. I’m done now.
“You are not taking this guy to the Bronx first. We have been on this bus for two hours to go one mile. You are taking us to Carnegie Hall. NOW.”
He’s almost gleeful, “Nope! That’s the way it’s scheduled. Can’t change the route.”
I slip Muriel’s beautifully patterned silk scarf off her neck. I walk up behind the driver. I am intense. I speak to him in his own language,
“Listen motherfucker, turn this ride around now. If you don’t turn this van around and take us to Carnegie Hall right now, I am going to put this fucking scarf around your motherfucking neck, and kill you. Do you understand me? I am going to fucking break your neck, bitch.”
I am so far gone, I don’t have the presence of mind to think how this will affect Muriel; what she will think, what will happen the next time she calls Access-A-Ride, her only access to transportation in NYC. What if they ban her forever? Arrest her? Worst of all, she’s made it extremely clear she doesn’t tolerate cursing. I’m never to use the “F” word around her. Suddenly, she speaks up,
“She’ll do it! She just got out of jail for killing someone! That’s why we’re celebrating tonight. Turn the van around or she’ll kill you!”
“Okay okay! I just have to call my dispatcher and tell him I’m changing the route!”
I snap the scarf and say: “Then do it! DO IT!!!”
Fifteen minutes later, Muriel sighs, “This is the best lobster roll I’ve ever had.”
“Well eat up. We have to get down the block and pick up our tickets, and it’s a madhouse over there.”
“Where do we pay for the tickets?”
“Audra won’t let us pay. She says the day we pay for tickets to see her is the day she votes for Mitt Romney.”
Carnegie Hall is a mob scene. I tell Muriel to just stay put on her scooter, as I join the long, long Will Call line to pick up our tickets at the box office. I can’t even see her through the throng. Suddenly, a tall handsome gent in a house uniform calls to me from where I left Muriel,
“Ms Boosler? Over here. I have your tickets.”
“How did you know this was Muriel?”
“Oh, Ms McDonald described her. We were all told to treat Muriel like a queen.” She gives me the sweetest Cheshire Cat grin.
We go up in the elevator, park the scooter, and walk into the box to get settled. Muriel is in front, at the rail. I am directly behind her. The box is full of lovely people, the hall is full and electric, it’s all magical. The show begins. Audra is beautiful. The songs, the music, everything is moving, gorgeous, perfect. Knowing Muriel’s hearing is spotty, I lean into her ear,
“Can you hear? Do you hear the show?”
“I hear the music and singing perfectly. I can’t hear Audra’s talking in between songs though. It’s too soft.”
Song after song is a perfectly crafted piece of theater, a full play in itself. The audience is enchanted, in love, rapt. And again, Audra speaks,
“I want to dedicate this next song to a new friend of mine. This song, ‘My Buddy’, is for the great and glorious Quilting Muriel.”
Audra’s arm sweeps up to indicate our box, gesturing right at Muriel. The entire audience looks up, sees Muriel, and begins to applaud. Muriel also turns her head around and applauds, searching for the recipient of the honor. From my seat directly behind her, I gently put my index finger into her left cheek to face her forward again. I put my hand under her right arm and lift it and begin to wave it at the audience. She whispers out of the side of her mouth,
“What’s going on?”
“This song is for you.”
“Ooohhh!!!!!” she gaily says and with that, smiles and waves to the audience as they smile back at her.
The show was magnificent. We had all these gifts for Audra, but it had been a physically taxing day and night for a 94 year old woman, and there were hundreds of people lined up outside of Audra’s dressing room to see her. That, and the fact that we were going to take a New York City bus home, well, who knew how long the wait along Central Park would be at that hour. We asked our escort to kindly give all of our gifts to Audra with our love, as we couldn’t join that line. He laughed and said we weren’t joining any line; he had been instructed to take us right in to see Ms. McDonald, and he did. He parted the sea of New York City’s finest tuxedos and gowns, and a purple velvet Bob Mackie pantsuit and three million World Famous chocolate chip walnut cookies rolled into Ms. Audra McDonald’s dressing room, and the door closed behind.
It was a wonderful visit. While I hung back and took the pictures, Audra, her beautiful daughter and mother, and Muriel, talked about New York, living in the city, baking, working, dogs, family, music, history, travel, everything and anything fun and interesting. There was lots of laughter. I do believe, and hope, that Audra indeed met the woman she was expecting.
Again, our escort parted the sea of Audra’s admirers and true to his word, “like a queen”, we were escorted out the stage door into the street, where hundreds more fans lined up hoping to catch a glimpse of Audra on her way out. Muriel asked,
“Who are all these people?” I replied,
“These are people who don’t bake chocolate chip cookies.”
We were so happy, it took a minute for us to realize the temperature had gone down into the teens. Because I run an animal rescue organization, Muriel was kind enough not to wear her mink coat that night, even though she kept reminding me it had been dead for over seventy years, before it was “wrong” (her quotes) to wear fur. There were things we didn’t agree on of course, but it was truly generous of her to leave that coat home on a night projected to be well below freezing. So she made me give her my coat to double up as we waited for the bus. Fair’s fair. She was 94 years old, and I hadn’t been cold since I hit a hundred and fifty pounds anyway. We waited unshielded from the wind off the park. When we finally reached her stop, we were still five blocks from her apartment, so she floored her scooter as I ran to meet her at home. She was speeding, freezing, and falling asleep all at the same time.
When I got up to Muriel’s apartment, she hadn’t even had the strength to get off her scooter. She was drained. It was two a.m. She couldn’t open her eyes, she couldn’t move. I said,
“Come on. I’ll help you.”
I got her to the bathroom. I sat her down and took off her shoes, her knee highs, her purple velvet. I handed her her nightgown, then went into the bedroom and turned down her quilt. Tiger jumped into bed to wait for his mom. I helped Muriel into the bed. She fell in hard, spent. I put my face down to hers, an inch away. Her eyes were bright, full of life and light. I said,
“Wasn’t tonight awesome?” She replied, smiling, twinkling,
“It was fucking awesome.”
I could still hear her laughing as I turned out her bedroom light, walked down the hall, put on my coat, locked her front door and went out into the night.
Muriel B. The beloved, independent lady who lived in a beautiful apartment on the upper west side of Manhattan with her little “New Yorkie”, Tiger, is gone at the age of ninety seven and a half. New York will never be the same. You all made her life so rich. Now that it is at an end, here is how twitter’s “@QuiltingMuriel” came to be.
Summer 2010: There she was in Riverside Park, a lovely white haired woman, gaily dressed, with big earrings, sitting on her scooter while working a large puzzle book. Her little Yorkie stared intently at where the squirrels were sure to come, because the woman had a large bag of peanuts in the scooter’s basket. I happily thought, “This is what I’ll be when I’m seventy”. When we started chatting, I discovered she was 92. Amazing. Amazing! (She always said I used that word too much.) She had freedom, mobility, charm, opinions (oh yes), and a dog. She lived independently with the help of a fantastic part time aide named Jean. Once again, I had met a smart, vibrant older woman who had long days and nights to fill, with most of her friends gone, and who had so much life left inside. I seemed to collect them.
I have Helen in L.A., now 83. I had Dottie, my L.A. neighbor, who had such a zest for life, when she died at 86, there were two tickets to “Lord of the Dance” for that Saturday night, waiting on her kitchen table.
And then there was Muriel. We became great friends. She was always lonely when I went back to L.A. She was adept at email and the internet (she once rebuilt her own hard drive), so I had an idea. “I’ll open a twitter account for you. If you use hashtags, you can find like- minded people talking about anything and everything that interests you”. So began twitter’s popular account, “@QuiltingMuriel”.
She never tweeted. “I’m too busy.” She was. She filled her days with classes, quilting, visitors, manicures, baking, taking Tiger to the park, doing all her own paperwork, etc. etc. But she’d get lonely and sad, and I still believed twitter could help alleviate that. So I started tweeting for her, to show her how it was done. Still, she never tweeted. I continued to tweet “QuiltingMuriel”, hoping she’d fall in, as I channeled Dottie and Helen and Muriel and every other senior I had the pleasure, and frustration, of knowing. Helen was the loving mother, malaprop prone, “Gracie Allen” voice. Dottie was the sharp, no nonsense voice, and Muriel was the savvy, lifelong New Yorker, with smart, sensible, Democratic values. All of their mothers marched for the vote for women. They themselves fought for civil rights, human rights, worked their whole lives, raised children, missed their departed husbands, were progressive and open minded, loved dogs. All of them were admirable, and there are millions more like them who stand alone at gatherings and parties and are passed by unnoticed, a lifetime of knowledge and experience just waiting to be shared, yet ignored, by younger people who have no idea what richness they are missing.
Muriel never learned to tweet. I was about to close the account when I realized how much people were responding to its humor, kindness, positivity. I loved the people who tweeted to “Muriel”. And then I discovered an even greater social experiment, if you will.
As a comedian of 43 years, people have decided they “know” me. When, in my own twitter account, I tweeted about gun control, or being pro-choice, or anything politically charged, or things that were uplifting and loving, the trolls came out in force and dismissed and dissed me instantly. When I tweeted the exact same sentiments for Muriel in much the same way, people wrote “Preach!” and “So true!” and “Tell it!” Wow. In accidentally holding this mirror up to society, I found a little bit of hypocrisy, and a whole lot of seeing people blinded by their pre-conceived notions. What a discovery. I never had a loving family, I left home at sixteen. A darling regular, who always called “QuiltingMuriel” “Nana”, and whom I came to adore, tweeted: “Nana, who will you be voting for?” I’m sixty -three, I felt qualified to answer. In answering the questions of people decades younger in a loving and kind way, I finally got the mother I never had; me. And I got to be that mother for others who needed one too. So in trying to give Muriel the gift of being valued and cherished, in her refusal to tweet, she ended up giving that gift to me, and to “her” followers, instead. She was the smartest woman I ever met. Amazing.
Muriel grew to love reading the account, though she never tweeted, and we never told anyone, not even her family. Only the wonderful Jean knew. And our great friend and Muriel’s dear sewing teacher, Judy Isaacs. When the agents at CAA discovered the account and had Muriel and me (and Jean) up for a meeting about a book based on the account, we had to tell them the truth too. Other than that, I stood way back and let Muriel bask in her new found glory. She was happily “@QuiltingMuriel”, I was happy to let her be, and go along with her to all the wonderful events that came “@QuiltingMuriel’s” way. (Thank you to the magnificent Audra McDonald, and Holland Taylor, who brought so much joy into Muriel’s life these past few years. Thank you to the authors who sent Muriel their books from all over the world. How wonderful. Thank you for the yearly birthday wishes, and funny stories, and daily weather reports from around the globe. Thank you. Thank you.) Muriel was incredibly charming, delightful, adorable; people loved meeting her. And she indeed could have tweeted that account if she wanted to, but she baked the cookies and I did the writing.
I hope you will remember “@QuiltingMuriel” for the positive, loving, uplifting gesture it was meant to be. I will tweet “@QuiltingMuriel” no more. I couldn’t, with Muriel gone. This is a heartbreaking day. I am flooded with sadness. In honor of Muriel, please try to see the gray ghosts among us; at a party, at the market, in a store, museum, sitting in the park. They see you. They are so rich in life to be shared. Remember Muriel; her spirit, her generosity, her life spent fighting on the right side of history. Remember her joy in living, her ability to embrace everything that came her way until the age of 97. I’ve never seen anyone enjoy Mallomars with more childlike delight. Or chocolate, or peanut brittle. She was infuriating. I’d bring these delicious gifts all the way from L.A., and she wouldn’t share! Yet she did so much to help us rescue animals, making magnificent quilts for my Tails of Joy to sell so we could save more needy, homeless dogs and cats.
She will be missed by so many, especially dear little Tiger. My heart is breaking. People always tweeted to “@QuiltingMuriel”, “I hope I can be you when I get old”. Why wait? You can be her now. I was.
For forty years, Elayne Boosler has appeared on seemingly every talk show ever on TV, has written and starred in five one-hour Showtime standup comedy specials, written and directed two movies for Cinemax, appeared on Comic Relief for years, on Politically Incorrect over thirty times, and has hosted specials, series, and events. She has traveled the world doing standup from Las Vegas to colleges to the London Palladium to the White House Press Correspondent’s Dinner for President Clinton, to clubs and theaters everywhere. She has performed for the Queen of England as well as the President and Congress at Ford’s Theater. She even moderated the Democratic Presidential Candidates Debate on C-Span for NOW. Oh, and one more thing – she is very active in animal protection issues and just recently hosted the gala benefitting the Stray Cat Alliance.
Born and raised in Brooklyn, New York, Elayne is basically bi-coastal, shuttling between LA, the Big Apple and all points in between. When asked which city she thinks is best for pet lovers she replied, “If it’s between NY and LA I’ll say NY, which may be counter intuitive to people who think there’s open land out here and more houses and more space, but NY is definitely more pet friendly. There are many more places to enjoy the outdoors with your pets; they’re welcomed on restaurant patios in NY; and there isn’t a store you can walk by in NY anymore where there isn’t a dog water bowl outside. They also have a fantastic homeless outreach program in NY where they offer people who are homeless all this monthly pet care – which gets them in off the street, and subsequently they are cared for too without really knowing it because they won’t come in for that. So it gives the city a big leg up on helping the homeless through helping their animals, which is a fantastic thing.”
“What has changed here in LA is the incredible rescue community that fights for getting the pet stores closed; getting them to sell animals from the shelters; getting them to let us claim animals before they kill them. It’s the animal community in LA that is so spectacular and that seems to be where all the forward steps are made.”
Elayne’s love of animals came from her very first dog, a purebred Boxer named Carbide. “He was my first password,” she says. “I was 4, so I looked up into these nostrils and ran! I was terrified, because my mother instilled fear in us of animals. It was the most frightening, horrible couple of weeks of my life until I fell in love with him. He was everything to me. Needless to say I was raised by the Taliban in Brooklyn and left home very early, and my ally was this dog. I didn’t leave home until he died at 13. He was the only tenderness, the only love, the only softness, the only protection I really had. When I explained my life to a shrink she said there had to be someone who taught you empathy and love because… someone had to be there to teach you to be a human being, which you really are. And I said it was the dog. And she said yes, that’s absolutely acceptable.”
These days in addition to her busy stand-up schedule that takes her around the country, Elayne also runs her own animal rescue organization – Tails of Joy (www.tailsofjoy.net). Before that, however, she said, “I wanted to learn everything I could about rescue and spent five years with Boxer Rescue. I was on their Board, I walked dogs, did the medicines, learning what rescue really means. I went to their adoption events and took dogs on the FOX Morning News once a month for years. I eventually got them the full down payment for their Sun Valley kennel which could house a hundred dogs, and they really got big, fast, which was fantastic. I always knew I wanted to help the little guys, who really needed it, and that’s what they were when I got there, so I was glad to leave them in such fantastic shape and turn my attention back to the little guys in need. That’s what Tails of Joy is.”
“Our mission statement is we help the smallest, neediest rescue groups across the country and beyond. And that’s what I do.”
Besides performing, Elayne raises money in numerous ways for her Tails of Joy rescue. On her website she sells jewelry that has been specifically designed and manufactured for Tails of Joy. “You won’t see it anywhere else,” she explains. “And there are other items also made special for us by wonderful sewing and quilting angels from all over the country. In addition to shopping, people can make donations through the website… even monthly, $5 dollar donations. We also use social media a lot to raise money and tell people we have new items. Those monthly donations – people apologize for only donating $10 a month – I beg them not to apologize. If everyone donated $10 a month we could plan ahead, we’d never run out of money, we’d know what was coming up. $10 a month would make our work possible forever! It’s not little, it’s HUGE!”
“At my shows I talk about Tails of Joy, they see the items, I encourage them to go to the website to buy them. When I’m not in their town they can earmark what rescue they want their purchase price to go to. I make it so interactive. If you want to buy jewelry from us and want your rescue in Texas to get the money, just tell us and we’ll send it to them. Tails of Joy doesn’t raise money for itself. We don’t keep a bank account. Everything that comes in goes out… that week. Basically we just want to know where you want that money to go to. Initially because I was on the road all those years and I would see three little old ladies in Ohio saving more cats and dogs than the entire bloated Humane Society of the United States, I knew they did the work but didn’t have the fundraising infrastructure. I really wanted to set this up to keep people like that going.”
“Most places I perform are not about animal rescue – they’re just gigs,” Elayne continues. “But what I do is this: I’m headed for Chicago so I’ll be choosing two rescues there, as I do in every city to join in our advertising, to have free tickets to a show, because rescuers burn out. They will wear their shirts. They’ll bring all their info. They’ll bring their products. I end with all the animal stuff on stage and I introduce them from the audience and tell the audience we’re all going to be in the back. I’ll sign everything. They will sell their stuff and give out their info and every penny we take in stays in the city in which I’m playing. I make that clear on stage so people understand whatever they buy is going to help local Chicago rescues that night. And we put out a donation jar and people ask, ‘is it really staying here?’ I say here are your people. They smile and they throw in money and buy more than they would and we leave it all behind in each city. So that’s where the money goes when I’m on tour.”
“Then those rescues are added to our Little Guy Grants page on our website and we constantly funnel money back into rescues I’ve seen. I always visit their facilities and meet the people. Ones that are struggling, working hard, small… we always keep them in the hopper and often donate several times a year once we’ve met them in person.”
“Here’s another great thing I started because so many people on Facebook and Twitter now need help who have supported us. Our new thing is get your money back. We’ve been here for 14 years so far; we’re not going anywhere. If your pet needs help and you have supported us, I go through the records and find every donation you have ever made and start by giving that back to you in total. That’s our first donation to you, and then we look at what we can do after that. Once you’ve shown your support we will bend over backwards for you. It really is like a great Pet Savings account – that money is put away for you.”
The newest aspect of Tails of Joy is the Edith and Julie’s Spay and Neuter Fund. “Mostly what I do all day is call veterinarians across the country,” Elayne explains. “Whether it’s for a group or a person. I’m certainly not going to send an individual money. So I talk to the vet and also ask about previous care by this pet owner. Is this a good pet owner? Is there a history or did they just find you last week? I also demand a rescue discount, which often works, but not always. The only other thing we’ll do for individuals if we really scope it out and it’s real is I will go to Amazon and send food, or medicine. We will get them what they need if we can. And now we’ve added spay and neuter support.”
If people live in an area where there is no low cost spay/neuter services, they can contact Elayne through her tailsofjoy.net website or Facebook page. “We also try to work with the vets to encourage a greater discount if we can send fifty or a hundred people to them,” she says. “I’m hoping this will be self-funding, which is why I haven’t given it all away in three minutes. I’m trying to find a way to have this spay and neuter fund grow and get matching funds… that’s what I have someone working on now. We’ve only given out a few different grants of only about $2500 dollars each, which isn’t much. But, for instance, there’s an area outside of LA where they aren’t allowed to use government money for stray cat funding… so with $2500 we started their little fund for quietly doing the stray cats.”
“As far as how I decide who gets money, it’s very haphazard, I’m ashamed to say, however it seems to work well. Like I said, the smallest, neediest rescue groups across the country. I must get 500 emails a day – I’m on every list. We’re not big enough to have to vote with a Board to see who gets this money (which also holds it up for a month and then the dog is dead due to missed surgeries.) It’s very hands-on. I just start looking at the needs. Basically it’s where will we get the most bang for the buck. A lot of it is ‘my dog needs knee surgery for $3,000 dollars.’ What I do is look at what the person is doing herself to help her own animal get the surgery – are you trying to sell a few things? Are you having a car wash? And that’s who I help.”
People can reach Elayne through her website. “Everyone seems to find me,” she says. “It’s either firstname.lastname@example.org, or email@example.com. And a lot of them have come through the Tails of Joy Facebook page or on Twitter.”
Elayne doesn’t have any permanent dogs living with her at this time because of all the travelling she’s been doing, but she does do a lot of babysitting, and plans to rescue a few dogs next year.
“Senior dogs are my heart’s work. I adore them. When we get our new dogs we’re definitely getting seniors. Not all seniors but at least one, maybe two. Seniors are completely aware. They’ve lived a long life, god knows how and where. When they come into your house you will never have a problem with a senior. They’re trained, they’re evolved, they’re socialized. They’re move-in ready. They vacuum. They’ll do your taxes. They can help you cook. And they ask for nothing. Just a little kindness. Nothing will fill your heart as much as bringing a dog that has just been through hell and back into your house. Every senior I’ve known will take a bullet for you. Their gratefulness and love is beyond all else.”
“Everyone thinks Tails of Joy only does dogs, because I talk about them the most and there are always pictures of dogs. But we do everything. Whatever suits your lifestyle – if you’re in an apartment with kids get a couple of hamsters and let them learn about how much fun these little animals are. We also help small exotic groups, bird associations and wildlife societies. Any animal that suits your lifestyle and family is the best animal for you.”
“The reason I stayed in comedy this long is because I’m just worth more to the animals and the rescue world with even the little bit of profile I have as opposed to just diving head into rescue without keeping my name and face out there. I think when people are donating they give it to me instead of another rescue of our size because it’s me. So it’s really important to keep going just so people want to donate to rescue. By what I’ve done over the last twenty years, starting with Boxer rescue, I’ve helped change the conversation. I’ve seen people go from showing me their purebred animals to showing me their purebred rescue animals. The conversation has changed; the consciousness has changed, and it’s changing more every day. Being in public and going on TV and radio and all of us who do that in show business, and there are so many great people doing that… it has helped change the consciousness of America, and I think it’s important to continue that. Of course if I could only do one thing in my life it would be rescue, but I do feel that comedy helps me do that.”
“The most important thing I believe in for everyone is don’t put it off,” Elayne says. “Just because you can’t do everything doesn’t mean you can’t do anything. People constantly email me, ‘oh, I wish I could help and if I ever get the money I’m gonna…’ And I write back, you don’t have to wait. You don’t need the money. You have half an hour a week? Start there. Every little thing you can do to make lives better for people with animals, for animals, for anyone needing help with a pet – do it! I started off at Boxer rescue by simply waking up really early, which is hell for me, on weekends and going to walk as many dogs as I could… on those days before adoptions so they would be calm and friendly when they were taken out of the cage again. I didn’t know anything. I showed up, I leashed them up, I walked them. That led to wow, what’s this going on here? Everything leads to more and you find out. It’s never going to be the perfect time. Every $5 dollars helps, every five minutes helps. If this is in your heart to do this, you cannot wait. Everything you do makes a better today. So if you can’t do everything, just do something!”
In January Elayne will be releasing a Box Set of DVD’s of four of her best stand-up Showtime specials, with all new wrap-arounds shot this year to put the shows in context, explaining what comedy was like then and now. The shows are from 1986 – 1992 and the set includes an extra one-hour CD that’s made up from her tours over the last three years.
In the coming months Elayne will be doing a few shows around the country, and will be making a return appearance on The Tonight Show. For her complete schedule of events and information purchasing her Box Set of DVD’s (a portion of the proceeds will benefit Tails of Joy) go to ElayneBoosler.com. For information about her rescue organization, visit tailsofjoy.net where, not only will you be entertained and educated, you can also buy some really terrific stuff that, as you’ve read here, benefits animals throughout the country. In fact, make it your one-stop place for your holiday shopping!
Elayne Boosler performs her original composition (book – Elayne, music – Carol Worthey) “Rescue – A True Story“, which had its debut at the Glendale Philharmonic. Commissioned by Glendale Phil director and world renowned cellist Ruslan Biryukov, Ruslan will again be playing amazing cello for this performance. We are proud to be invited to grace this beautiful new concert venue.
Annie, one of Elayne and Bill’s rescued “kids” who served as inspiration for “Rescue..”
Elayne and Ruslan after performing “Rescue” with the Huntington Beach, CA, Symphony, June, 2015.
Elayne hosts the once-a-year gala for L.A.’s Stray Cat Alliance. Held at the Montage Hotel in Beverly Hills, the evening promises to be a fantastic night of fun. There will be Stray Catinis, tarot readers, animal psychics, amazing food and drink, games, magicians, live and silent auctions, a great show and awards. Most importantly, the evening raises the funds needed for Stray Cat Alliance to continue its important work of spaying/neutering stray cats and preventing lives of hardship and danger on the streets. They’ve already spayed/neutered 16,000 cats, preventing the suffering and death of unwanted and homeless animals. They also help feed the feral colonies once the spayed/neutered cats are returned to their packs. Come help celebrate their 15th year of building a no-kill nation, one cat at a time.