By Matthew Love | Rolling Stone | February 14, 2017
Imagine the prototypical female comic of the 1980s: Big hair, suit jacket with shoulder pads and the sleeves rolled up, the ubiquitous brick wall behind her. You’re imagining Elayne Boosler – but before that image became a cliché, it was just part of the stand-up act she had been honing for years.
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